Hollies frontman helps lift the curtain on new year of entertainment at Nailcote Hall

Hollies frontman helps lift the curtain on new year of entertainment at Nailcote Hall

Star quality helps lift the curtain on a New Year of live entertainment at Nailcote Hall Hotel in January with a rare solo appearance by Hollies lead singer Peter Howarth.

For 20 years Howarth has been frontman of one of the UK and Europe’s most popular rock and pop bands, which boasts more hit records than The Beatles, including He Aint Heavy, He’s My Brother; The Air That I Breathe, Long Cool Woman; Here I Go Again and Carrie Anne.

Peter Howarth, The Hollies, Nailcote Hall

Ahead of his much-anticipated Berkswell gig, he recalls how he came to join the famous band, which recently completely a 60th anniversary world tour with two of its original members Bobby Elliot and Tony Hicks.

“When I was a young lad and I was in a rock band called Sahara, I came down to London to find fame and fortune in the early 80s and we wanted to try out a keyboard player because it was basically a guitar-based band. The base player knew a keyboard player who came along and played with us for one night and there was nothing wrong with him, but we just decided we wanted to keep it guitar based after all. That chap was Ian Parker who has been with the Hollies for around 45 years and he is the one who, years later, recommended me for the Hollies gig.

“He originally called me about in 1997 but I was playing the role of Roy Orbison at the time. But I said if the opportunity ever comes up again let me know. Carl Wayne, former frontman of the Move, had stepped in but he tragically passed away with throat cancer and Ian contacted me again and we met up in a little hotel in the middle of London. I sang three of their songs on the Monday and then I was in Germany on the Friday doing a 40-minute set with them!”

He added: “It was an honour to be asked. It was funny really because I wasn’t really a fan of the band at the time. I knew them but it was my brother who was a huge fan. He couldn’t believe it when I was asked to join them.

“I didn’t appreciate the gravitas of it but it soon became apparent because the trouble with taking over a role in a famous band like that is that, no matter how good you are, you’ll never be as good as the person you’re replacing because they’ve created their own personal stamp.

“People get cross that you’re there and I got a lot of abuse. But the band is not about one particular person, it’s about Tommy’s guitar playing, Bob’s drumming and the harmonies and, of course, the songs. The people who come every year have come to accept the band how it is now and they have a great time.”

For the past 35 years, Howarth has written, recorded, played, sung and toured worldwide with a variety of artists ranging from Cliff Richard to The Who.

His time in theatres is something he looks back on most fondly, playing the role of Roy Orbison in Bill Kenwright’s Only The Lonely and Four Steps To Heaven at London’s Picadilly and Whitehall Theatres as well as around the UK.

It was also for his late friend Bill that he wrote the musical Robin Prince of Sherwood, and took on the role of the Sheriff of Nottingham in the West End and on tour, a personal career highlight.

“I absolutely loved it,” he said. “It wasn’t something I went looking for. The guy who originally played the lead in the show lost his voice – 30 songs a night and eight shows a week took their toll on him. Bill phoned me up and just said ‘Can you sing like Roy Orbison?’ And I said ‘no.’ And he said ‘but you can hit all the notes though, can’t you? Come and see me tomorrow.’

“So I went and watched him as he auditioned Orbisons and then after we’d seen everyone he said to me, ‘Right, get up there and sing Only The Lonely.’ I said ‘I don’t know it!’ So he told me to learn it. So I learned it and sang it on the theatre stage and then he handed me a script and said ‘Can you do an American accent?’ And I said ‘I’ve no idea.’ So we acted out part of a scene there and then. I read two lines and he said, ‘Right, you’re on on Monday!’

“I had about eight days to learn the show. It came to be one of most incredible things I’ve done. It was such a thrill. A very odd experience but one I do cherish. It was an amazing part of my life. The whole thing has been emblazoned on my soul.”

Peter Howarth, The Hollies, Nailcote Hall

Today, Howarth, 64, enjoys success as the co-founder of the acoustic trio Frontm3n, formed with former 10CC musician Mick Wilson and Pete Lincoln from the band Sweet. He also continues to tour with his own solo show, Peter Howarth Unplugged and spends many months of the year at sea entertaining cruise ship audiences.

Reflecting, he said: “When I was a kid all I wanted to be was a professional musician, I just wanted to make a living doing music. I didn’t particularly want to be a superstar and never in a million years expected to be working in the West End. When things are going well it’s great. But when you’ve got a family to feed and the phone isn’t ringing, that’s when it’s not so clever.

“My parents were supportive. They weren’t showbiz parents but they were just happy for me to do something I enjoyed and they were quite impressed by the fact that at a very young age I was earning very good money doing it.

“I haven’t encouraged my kids to go into the business and actually have encouraged them more to go down the academic route but it has sort of backfired. Now they ask why I didn’t encourage them more to go in showbusiness!”

He added: “When I was invited to perform by my friend Sue during a rare gap in my diary, I couldn’t say no and I’m very much looking forward to it. The set will be a mixture of Hollies, Orbison and a few surprises.”

Peter Howarth, The Hollies, Nailcote Hall

An Audience With Peter Howarth is on Saturday, January 11th at Nailcote Hall and also includes a three-course dinner and DJ until 1am.

Co-owner of the hotel Sue Cressman said: “We have been trying to get Peter at Nailcote for a while now so were delighted to secure him for January and know people are going to be in for a fabulous night of entertainment. A few tickets still remain.”

Bookings for this and a host of other Party Nights every weekend at Nailcote Hall can be made HERE

Review: A Chorus Line, Birmingham Hippodrome

Review: A Chorus Line, Birmingham Hippodrome

Photography by Marc Brenner

Set the scene – New York City. 1975. On an empty Broadway stage, seventeen performers are put through their paces in the final, gruelling audition for a new Broadway musical. 

Only eight will make the cut.

A Chorus Line is a musical masterpiece that revolutionised Broadway, but for the uninitiated, it’s not a musical in the sense we’re most accustomed to. With no interval (so ensure you grab your toilet break before curtain up!) no scene changes and only one costume change, this production relies on capturing and holding our attention for an entire scene.

A Chorus Line, Birmingham Hippodrome, review

It’s testament to director Nikolai Foster and his production team that it succeeds in doing so, such is the scrutiny with which each of writers James Kirkwood and Nicholas Dante’s characters are explored. One by one they step into the spotlight to share their intimate life story with stern show director Zach, played ably by Adam Cooper.

This material comes from creator Michael Bennett’s real-life testimonies during late-night recording sessions with dancers. Stripped back staging and clever use of lighting make for a fitting backdrop to a show that delivers often raw and unapologetically emotional subject matters.

A Chorus Line, Birmingham Hippodrome, review

But the result is actually a celebration – a nod to the lives of theatre’s unsung heroes in the chorus line, as they tell searing stories of ambition, shattered hopes, and what it really costs to follow your dreams.

There were all-round stand-out performances from a powerhouse of an ensemble and the choreography is step perfect. It features iconic songs including OneI Hope I Get ItNothing and the hit ballad What I Did For Love.

But it’s the finale this show is best known for and last night’s curtain-closer didn’t disappoint – the moment the scene switches from rehearsal to that of much-anticipated opening night – and what a night! Costumes, spectacular lighting and even pyrotechnics helped close (our show) with a bang!

A Chorus Line, Birmingham Hippodrome, review

As a huge fan of musical theatre but a first-timer to A Chorus Line, it took me a little while to settle into the format of fewer dance numbers and more narrative than I might usually have liked. But by the end I was fully invested – and it’s worth hanging around if only for the big dance finale alone!

A Chorus Line plays at The Birmingham Hippodrome until Saturday, September 14th. Tickets can be booked HERE.

The Golden Grimoire: Can you unlock the Secrets of Merlin’s Magical Manuscript?

The Golden Grimoire: Can you unlock the Secrets of Merlin’s Magical Manuscript?

Magic Alley Golden Grimoire, Stratford

Magic Alley Golden Grimoire, Stratford
 

Step into the magical new adventure at the Magic Alley Mystical Museum of Mythology and Magic!

Immerse yourself in a world of the shadows where history meets the mysterious, with the recent unveiling of Merlin’s original Book of Shadows—a treasure trove of secrets and spells that have remained hidden until now.

This magical manuscript is said to contain answers to some of the greatest mysteries of all time—from the location of the lost city of Atlantis to the secrets of eternal youth and the principles of alchemy.

It’s a unique chance to embark on an epic quest that is perfect for seekers of hidden knowledge and explorers of ancient legends, suitable for curious minds from older children to adults.

The Golden Grimoire, in Stratford-upon-Avon, is a voyage through the annals of mystical wisdom where guests are invited to step into the world of a wizard, navigating through a labyrinth of puzzles and cryptic riddles scattered across ten mesmerizing rooms, including the alchemist’s hidden laboratory and the ancient halls of Camelot.

Each room is a gateway to a larger world where cunning and bravery are essential to breaking the spells and codes that protect the knowledge within. Determine the answers to age-old questions and unlock the mysteries that Merlin himself safeguarded in the mystical realms of his mighty book.

“We really wanted to return to our magical roots this summer,” said Sam Jenkins, Head of Events at Magic Alley. “Merlin’s magical manuscript gave us the opportunity to explore the world of King Arthur and Camelot through Merlin’s eyes and see the magic within. Step into a realm of immersive storytelling where each room unravels part of Merlin’s legend. Whether you’re a fan of escape rooms, or simply love a good story, this event promises to captivate your imagination.”

The Golden Grimoire is recommended for children over 6 but children age 4 and 5 are able to accompany older relatives and friends to take part in the event. There is likely to be a performer in place over the summer holidays at various times to add a little extra magic to your visit.

Magic Alley Golden Grimoire, Stratford

Magic Alley is fully accessible and has a lift to the first floor available.

Everyone who successfully completes the quest will receive a prize and a certificate.

The event runs from Monday 8th July to Sunday 1st September. Tickets can be booked in advance here and pre booking is advised for weekends and school holidays.

Magic Alley is made up of two parts comprising a large retail emporium and a magical attraction. The emporium sells everything from magic spells and steampunk figurines, to incense, candles, puzzles, quirky books, board games and curious gifts.  There are fairies and fairy houses, unicorns and dragons; vintage toys and games and wands.

Faulty Towers bring the comedy chaos to Brum

Faulty Towers bring the comedy chaos to Brum

Photos by Phil Tragen

You can be part of the action as Basil, Sybil and Manuel once again serve up mayhem on a plate with two hours of non-stop laughter in Birmingham – n Faulty Towers The Dining Experience.

The city’s Banqueting Suite at Council House, plays host to the night of comedy and cuisine from 23rd October – 3rd November, following two previous sell-out residencies in 2023.

Faulty Towers The Dining Experience, Birmingham

Faulty Towers The Dining Experience is a highly interactive experience, where audiences enjoy a three-course meal and 5-star comedy. Devised by Alison Pollard-Mansergh, Andrew Foreman and others, the show has been touring the UK and internationally since 2008, having appeared in 43 countries to date, and employing 56 actors per season.

Faulty Towers The Dining Experience, Birmingham

The show has toured to over 1,000 venues, with approximately 400 shows per year on average across the UK. A loving tribute to the BBC’s classic TV series, the show has been seen by over a million people worldwide since the very first show at the Ridges Hotel in Brisbane on 24 April 1997.

It is now the longest running immersive production in the UK, the longest running Fawlty Towers production, and the longest running show based on a TV series, in London. It is also the longest-running Fawlty Towers production of ANY KIND running worldwide.

Tickets are now on sale here.

Review: Sister Act, Birmingham Hippodrome

Review: Sister Act, Birmingham Hippodrome

Sister Act, Birmingham Hippodrome
Photos by Mark Senior.

Sisters are doing it for themselves – and never more so than in Birmingham this week where you can enjoy a heavenly dose of  Sister Act: A Divine Comedy Musical.

This high-energy production really hits the spot, lifting the spirits against the current chaotic backdrop of life.

Sister Act, Birmingham Hippodrome

Set in Philadelphia in the late 1970s, disco diva Deloris’ life takes a surprising turn when she witnesses a murder. Placed under protective custody after witnessing her mobster boyfriend commit a murder, she is hidden in the one place she shouldn’t be found – a convent! Encouraged to help the struggling choir, she helps her fellow sisters find their true voices as she unexpectedly rediscovers her own.

Landi Oshinowo’s performance seems as much at home in the platform boots of sassy Deloris Van Cartier as it does in the habit of her warm-hearted alter-ego of Sister Clarence, forging new friendships from the most unlikely of sources – the convent in which she seeks sanctuary.

Deloris’ charisma is equalled by Oshinowo’s powerhouse vocals which certainly reached the ‘Gods!’

Sister Act, Birmingham Hippodrome

Featuring original music by Tony® and eight-time Oscar® award-winner Alan Menken (Disney’s Aladdin, Enchanted) and songs inspired by Motown, soul and disco, this is toe-tapping romp is joyous and uplifting.

Plaudits too for Sue Cleaver (formerly of Coronation Street) who is pristinely pious in the role of Mother Superior, and whose acting prowess more than makes up for lack of vocal finesse. (But it’s not really a singing role.)

Biggest laughs of the night though came from the unlikely direction of the villains of the piece – Ian Gareth-Jones, who plays Deloris’s lover, Curtis Jackson, and his his trio of hapless henchmen Joey, Pablo and TJ, played by Callum Martin, Michalis Antoniou and Elliot Gooch.

Sister Act, Birmingham Hippodrome

A special mention is deserved too for Alfie Parker as the luckless dreamer Eddie Southern whose velvety smooth soulful vocals were enough to melt the heart of our heroine – as well as a packed Hippodrome audience. What a voice!

A divine couple of hours of entertainment that you won’t regret.

It plays at the Birmingham Hippodrome until Saturday, May 18th. Tickets available here